What is Song Midwifery for expectant mothers? | ||||||||||||||||||||||||||
The
Medical Evidence A number of recent studies have demonstrated how powerfully music and the voice can function in supporting a healthy pregnancy and birth experience, even early in the life of the fetus. David Chamberlain, says, “With responsive listening proven at 16 weeks, hearing is clearly a major information channel operating for about 24 weeks before birth.” In Music and Perinatal Stress Reduction, Dr Fred J. Schwartz cites several studies that show how music can shorten labor, slow respiratory rates, and decrease pain in the delivery suite. He also describes other benefits, for example, a “doubling of daily weight gain when premature babies in the NICU were given music therapy (Caine, 1991, Coleman, Pratt & Abel, 1996).” Don Campbell cites a number of similar studies in The Mozart Effect for Children, for example the uses of music to prevent miscarriage and caesarean birth. A study by Dr. Alexandra Lamont at the University of Leicester showed that one-year-old babies remember music they heard in the womb, even if they had not heard it in the previous fifteen months. Other studies have demonstrated that newborns prefer melodies that they heard their mother sing in utero, even more than any new songs their mothers may sing (Satt, 1987 as cited in Whitwell). Giving
Birth to the Mother’s Voice The
Mother’s Voice, Giving Birth to the Child Song Midwifery can be especially powerful in groups. Workshops include sharing of traditional lullabies, individual song-crafting, as well as an exercise in cooperative songwriting --all participants craft a song together to witness and support each other through the birthing process. Every woman receives a recording of this song, which she can then use as needed throughout her labor. The
Common Sense of Nonsense Containment In this fashion, Song Midwifery is a mirror to the birthing process itself. It is an experience of giving shape to truth. ©
2004 Louise Cloutier, all rights reserved. |
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Campbell, Don (2002).
The Mozart Effect for Children: Awakening Your Child's Mind, Health, and
Creativity with Music (pp. 42-44;
p 39). New York: Quill / HarperCollins. BIBLIOGRAPHY Appalachian Expressive Arts
Collective (2003). Expressive Arts Therapy: Creative Process in Art and
Life. Boone, NC: Parkway Publ. Babies Seem To Remember Music They Heard In The Womb (2001, July). UniSci, Daily University Science News. Retrieved April 15, 2004 from http://unisci.com/stories/20013/0711011.htm. Boston Women’s Book Collective (1998). Our Bodies Ourselves for the New Century. New York: Touchstone. Campbell, Don (2002). The Mozart Effect for Children: Awakening Your Child's Mind, Health, and Creativity with Music (pp. 17-70). New York: Quill / HarperCollins. Chamberlain, David B. Ph.D. The Fetal Senses. Retrieved April 15, 2004 from http://www.birthpsychology.com/lifebefore/fetalsense.html. _____________. Communication Before Language, Retrieved April 15, 2004 from http://www.birthpsychology.com/lifebefore/comm.html. England, Pam and Horowitz, Rob (1998). Birthing from Within: An Extra-Ordinary Guide to Childbirth Preparation. Albuquerque, NM: Partera Press. Gaskin, Ina May (1990). Spiritual Midwifery. Summertown, TN: The Book Publishing Co. Hallett, Elisabeth, Ed. Communication Before Conception: A Spiritual Frontier. Journal of Prenatal & Perinatal Psychology and Health. Hallett, Elisabeth. Hearing the Soul's Voice: A Midwife's Story. ______________. Cosmic Cradle: Introducing the Work of Elizabeth and Neil Carman. ______________. Midwife, Intuitive, and Healer: A Conversation with Teresa Robertson. ______________. Childhood Meetings. ______________. The Watcher in the Bedroom. ______________. Gladys Taylor McGarey, Pioneer of Pre-Birth Communication. ______________. Freedom and Flexibility. ______________. Purposeful Contact: The Mysterious Power of Children-To-Be. Danna, Theresa. The Children of Our Dreams. Robertson, Teresa. Communicating with Your Unborn Child. Retrieved April 15, 2004 from http://www.birthpsychology.com/lifebefore/concept.html. Leboyer, Frédérick (1983). The Art of Breathing. Longmead, Shaftesbury, Dorset: Elements Books Levine, Stephen K. and Levine, Ellen G. (1999). Foundations of Expressive Arts Therapy, Theoretical and Clinical Perspectives. London and Philadelphia: Jessica Kingsley Publ. Owen, Maggie (2001, July). Womb Music: Babies Remember Tunes Played From Before They Were Born, Study Says. ABCNews.com. Retrieved April 15, 2004 from http://abcnews.go.com/sections/living/DailyNews/babies_music_010711.html. Paris, Raina M. (2000). Mother-to-Be's Dream Book: Understanding the Dreams of Pregnancy. New York: Warner Books. Peterson, Gayle, Tips for Bonding with Your Unborn Child. Retrieved April 15, 2004 from http://www.askdrgayle.com/recent7.htm. Raphael-Leff, Joan (1993). Pregnancy: The Inside Story. London: Sheldon Press, Insight Professional. Stern, Ellen Sue (1993). Expecting Change: The Emotional Journey Through Pregnancy. New York: Bantam. Whitwell, Giselle E., R.M.T. , ed. The Importance of Prenatal Sound and Music. Journal of Prenatal & Perinatal Psychology and Health. Retrieved April 15, 2004 from http://www.birthpsychology.com/lifebefore/soundindex.html ________________. An Introduction to Prenatal Sound and Music. Kelkar, Gajanan S. A Prenatal Project in India. Federico, Gabriel F. Music Aids Development in the Womb. Fridman, Ruth. The Maternal Womb: The First Musical School for the Baby. Schwartz, Fred J., M.D. Music and Perinatal Stress Reduction. Retrieved April 15, 2004 from http://www.birthpsychology.com/lifebefore/soundindex.html. ______________ (2001). Prenatal And Perinatal Music Sessions, Music Therapy Assisted Childbirth, Sound Doula Support. Retrieved April 15, 2004 from http://www.prenatalmusic.com/. |
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